P-ISSN 2575-3819
E-ISSN 2575-3827
Vol. 26, Issue 1, 2019January 01, 2019 EDT
Hold Up: Digital Sampling, Copyright, Infringement, and Artist Credit Through the Lens of Beyonce’s “Lemonade”
Hold Up: Digital Sampling, Copyright, Infringement, and Artist Credit Through the Lens of Beyonce’s “Lemonade”
Spenser Clark, Journal of Intellectual Property,
Articles in Vol. 26, Issue 1, 2019
Vol. 26, Issue 1, 2019
- Monetizing Tribal and State Sovereign Immunity in Patent Law: An Attempt to Neutralize the Patent Death SquadSean P. Belding
- Trademarks & The First Amendment After Matal v. TamGary MyersJournal of Intellectual Property
- Will You Have to Pay for the O.C.G.A.?: Copyrighting the Official Code of Georgia AnnotatedElizabeth HollandJournal of Intellectual Property
- Hold Up: Digital Sampling, Copyright, Infringement, and Artist Credit Through the Lens of Beyonce's "Lemonade"Spenser ClarkJournal of Intellectual Property
- The Shifting Landscape of Medicine: Patents of Personalized Biologic Treatments and Their Potential Conflicts with Right-to-Try LawsJohnson T. LaneyJournal of Intellectual Property
- Protecting Blockchain Investments in a Patent Troll WorldKelli SpearmanJournal of Intellectual Property
- Diminishing Uncertainty in Software Patents: After the Supreme Court Denied Certiorari for Synopsys Inc. v. Mentor Graphics Corp.Kayla Hope BarnesJournal of Intellectual Property
Spenser Clark & Journal of Intellectual Property, Hold Up: Digital Sampling, Copyright, Infringement, and Artist Credit Through the Lens of Beyonce’s “Lemonade,” 26 Ga J.L. & Tech. 131 (2019).